Friday, December 22, 2006

Paul Tillich's Theology of Indie Rock II

In the last post in this series, I explained what Tillich means with Gehalt and how he relates it to Form in a piece of Art. Tillich also classifies art on another scale, which is less complicated. He distinguishes between art with a subjective attitude and art with an objective attitude. A subjective artwork is more about the artist that created it and his/her perspective, while in an artwork with an objective attitude the artist is of less importance than the reality the artwork is depicting. What this means will become clearer when I give some examples.

Combining the two scales we thus end up with the following field:



Tillich goes on to classify different style's of art on this chart. In the upper left corner we find Impressionism, which according to Tillich is Form-dominated with Subjective attitude. It is art that is interested in the artists own impression more than the reality it depicts. In the upper right corner we have realism. Here the artist is not in focus but that which is depicted. But it is the form that is important, not a deeper meaning in it. In the left lower corner we find romaticism. Here the artist attempts to go bellow the surface of that which is depicted, but not to find something that everyone is concerned with, but rather the emotion of the artist. Finally, in the lower right corner we have expressionism, the kind of art that Tillich finds to be the most religious, because here the gehalt is the depth dimension of the human situation and it is a depicted in a way so that Gehalt is more important in Form.

Now this classification has been criticized mainly because it is to schematic; the styles involved are not as clearly defined as Tillich believes they are. But I think it is rather clear what he wants to say nonetheless.

Taking this into rock music I can rather easily find examples of bands I like that I would place very differently on this map. For example, a band that I would consider is marked by an subjective attitude that is Gehalt-oriented is the Smiths. There is the striving to reach beyond the surface of things to a more true level of reality, and there is a kind of description of this depth dimension, but it is all very subjective, it is all about the lonely Self encountering a world that does not understand it. You may be moved by the songs emotionally, but that has more to do with a sense of recognition than a spiritual quality. There is nothing religious about a song like "Heaven knows I'm miserable now", even if it has been used to great effect in a religious context. (That clip is from the Manchester Passion, a genious presentation of the last days in the life of Christ using music from Manchester bands like Smiths, James, Oasis and Joy Division. A few minutes into that clip you can hear Judas sing Moz's song of self-pithy.) There is, however, a few Smiths songs that reach over into the objective side, like "There is a light that never goes out", and indeed, these are not without a certain religious quality.

An example of a band that is form oriented with an objective attitude is Muse. Here the focus is not on the artist, but on the world. There are a lot of Muse-songs with apocalyptic language like Apocalypse, please (this live recording isn't the greatest, the poor bass player has some real problems with the harmonies):

declare this an emergency
come on and spread a sense of urgency
and pull us through
and pull us through
and this is the end
this is the end of the world

it's time we saw a miracle
come on it's time for something biblical
to pull us through
and pull us through
and this is the end
this is the end of the world

In spite of the (mildly) religious language, there is nothing religious about the song at all, IMO. It is Form oriented and the contents of the lyrics serve the form. It is still a great tune though, but it does not move you on any deeper level. (Note also that this is a heavy rock tune without guitars...)

In the next part I will give some examples in the remaining categories. I give no points if you guess who I will present as a very good example of a band with a gehalt-orientation and an objective attitude, but you can give it a shot if you like! :)

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