Paul Tillich's Theology of Indie Rock V

Part I, Part II, Part III, Part IV.

Paul Tillich developed his theology of art, that I have applied to rock, partly in order to address the notion that art had to have a clearly religious content to be considered religious (see this post.) This can the be applied to music as well.

I'm under the impression that the commercial success of "Contemporary Christian Music" peaked a few years ago. I could be wrong, I am completely disinterested in this kind of music. Still, much of this kind of "Christian music" for me seems to be completely irreligious in character. If we use Tillich's scheme, this kind of music, while having a religious Inhalt, it is not Gehalt-oriented, but oriented towards form. There seems to be a will to create a Christian alternative to whatever is playing on the radio. This means that the attitude that Tillich considers particularly religious is lacking: Form does not serve the Gehalt but is itself the focus.

Of course, it would be absurd to state that a religious Inhalt makes it impossible to consider a piece of music truly religious. And I am sure we can find plenty of examples of music where the lyrics religious in content, and where the deeper Gehalt dictates the form of the song. (One example, though definitely not CCR, is Brompton Oratory by Nick Cave - incidently also a proof that you can make music on those cheap Casio Keyboards, as this Youtube clip shows...) The point is, and this is what is important: if you limit yourself to only opening yourself up to art and music with a Christian Inhalt, you are likely to miss out on much of true spiritual value.

In the final part of this series I will offer some final thoughts on the nature of this experience, and suggest that this kind of theology can actually be very important in our time.

Nick Cave Interview and Lecture

Here's a cool interview with Nick Cave (I, II, III, IV). It is an un-edited interview, with lots of bad English with strong Swedish accent from the interviewer. But it makes for more interesting viewing, since there is no editor manipulating you (like there is in all tv...)

Anyway, Cave talks a bit about this lecture he held in 1999 at the University in Vienna about the "Love Song". The lecture is here. In it he talks about how God lives in language and of his love for the Old Testament.

To write allowed me direct access to my imagination, to inspiration and ultimately to God. I found through the use of language, that I wrote god into existence. Language became the blanket that I threw over the invisible man, that gave him shape and form. Actualising of God through the medium of the love song remains my prime motivation as an artist. The love song is perhaps the truest and most distinctive human gift for recognising God and a gift that God himself needs. God gave us this gift in order that we speak and sing Him alive because God lives within communication. If the world was to suddenly fall silent God would deconstruct and die. Jesus Christ himself said, in one of His most beautiful quotes, "Where ever two or more are gathered together, I am in your midst." He said this because where ever two or more are gathered together there is language. I found that language became a poultice to the wounds incurred by the death of my father. Language became a salve to longing.

Do check it out, he has a lot of wise things to say.