It is time to look a bit closer at the kind of experience we have been exploring in this series. I think most people would agree that we experience something extraordinary when listening to some kinds of music, and many would agree that this experience is spiritual in character. The question I want to ask now is, however, if it makes sense to call this experience Christian?
This is a difficult question, and we would have all kinds of methodological issues to deal with if this was done properly. More recent research on mystical experiences has emphasized the importance of the interpretation of the mystical experience as a central aspect of the experience itself. This means that it makes sense to speak of a Christian mysticism where the mystic interprets the experience using Christian language, especially language associated with central Christian doctrines.
Could Christian doctrinal language be used to describe what we experience listen to music?
I think so. First of all, this experience is a experience of creativity, of creation. It is far from rare that musicians, even those that otherwise shun identification with any religion, claim that they cannot explain the process of writing a song, that "the best tunes just appear". Music - as well as other forms of art - is in a way a celebration of this experience of creation. I think this notion is related to the religious idea of creation on several levels, as I have argued elsewhere.
Secondly, the experience we have when listening to this kind of music is relational. Music is about communication, and the magic, if you forgive my casual use of the word, happens in the contact between the performer and the listener. Music is never about listening to a thing, a product - it is about listening to a person who is giving something to you.
Thirdly, the experience is one of meaningfulness. When listening to something that grabs you deeply you experience that this is something that is of the highest importance, it concerns who you are on a very fundamental level
Creation, relation, meaning - there's some Trinitarian thought for you. Can we go further?
Music is an incarnational experience. I have a home-made theory about music being the source for the original concept of a bodyless existence, because music does seem to have an existence that is not tied to matter: a melody exists even if no one is at the moment singing it, even if no recording of it is made, even if it has not been written out. However, unless the music becomes flesh - in the performer and the listener - there is no experience. Does this not point towards the mystery of the Incarnation of Christ?
These ideas should not be taken as expositions of the Christian doctrine. I just want to show how Christian language can be applied to the experience we are dealing with here.
Why, then, is this important? Why have I bothered to work out this theology at all? Well, for two reasons primarily. First, as someone who loves music, and someone who understands myself as a Christian I want these to aspects of my life to be in unity. I want to be able to express why Radiohead means so much to me, without creating an inner conflict in me.
The second reason is that I see an tendency in modern theology to make religion this separate compartment in the world - a neat post-modern haven with its own rules and reality, without any connection to the lives of a wider public. I think Tillich's theology is needed to counter this.
Christian theology needs to interact with culture to be relevant.




